{"id":6051,"date":"2020-02-17T11:35:00","date_gmt":"2020-02-17T11:35:00","guid":{"rendered":"https:\/\/magazinebloger.com\/?p=6051"},"modified":"2020-02-16T08:49:39","modified_gmt":"2020-02-16T08:49:39","slug":"the-playful-illustrations-of-ping-zhu","status":"publish","type":"post","link":"https:\/\/magazinebloger.com\/the-playful-illustrations-of-ping-zhu\/","title":{"rendered":"The Playful Illustrations of Ping Zhu"},"content":{"rendered":"\n
Ping Zhu’s illustrations manage to say a lot without saying much. Loose, minimalistic, and colorful, her creations have been featured in esteemed publications such as The New Yorker, Penguin, and Nobrow Press. “I started learning about the subtle differences between fine art and illustration in college,” explained Zhu in an interview with The Great Discontent. It was then that she also realized that her skills were better suited for illustration than fine art. \u201cI think both are incredibly hard, but I think that I would do poorly in the fine art world because, at this point, it feels like a foreign language to me,” she admits.\n\n\n\n