{"id":6071,"date":"2020-02-23T09:48:00","date_gmt":"2020-02-23T09:48:00","guid":{"rendered":"https:\/\/magazinebloger.com\/?p=6071"},"modified":"2020-02-23T08:52:34","modified_gmt":"2020-02-23T08:52:34","slug":"sophy-hollingtons-lino-cut-illustrations-are-wonderfully-messy","status":"publish","type":"post","link":"https:\/\/magazinebloger.com\/sophy-hollingtons-lino-cut-illustrations-are-wonderfully-messy\/","title":{"rendered":"Sophy Hollington’s Lino-Cut Illustrations are Wonderfully Messy"},"content":{"rendered":"\n

Illustrator Sophy Hollington uses traditional printmaking techniques, with most of her work taking the form of relief prints, created using the lengthy process of lino-cutting. “Generally speaking, I\u2019ll do a sketch the way I intend it to look printed, scan this in, flip it, print it and then transfer this to the lino using carbon paper so I don’t need to do the flipping in my head,” she described the somewhat tedious process in an interview with Metal Magazine. “I\u2019m not going to lie though, mistakes still happen,” she admits. “But luckily, most of my work is scanned in and colored digitally anyway, so I can always flip the printed image once it\u2019s done.”\n\n\n\n

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Last one of 2019. Thanks to everyone who\u2019s made it golden delicious. \ud83d\udc8b

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